![]() ![]() This subgenre shares many of the characteristics of acid trance, but has a unique "organic" sound to it. The major artists in progressive trance are Tiësto, Darude, Armin van Buuren, and Paul van Dyk. Other common techniques include pausing, using rests, rapidly speeding up the BPM, and using progressing kicks from quarter- to eighth- to sixteenth-, note kicks, and so on. These releases are often done by creating a brief lull in the melody before quickly returning to the main theme. ![]() By slowly building up a progression of melodies and creating a pseudo "tension", an outburst of emotional bliss results at the peak of the melody as it "releases". ![]() This subgenre defined the popular "build-up and breakdown" themes that are often associated with trance. It has a unique sound that is often achieved by playing with filters, pans, and oscillators to create a "science fiction"-esque sound. Acid trance is mostly similar to classic trance, except that it has a much more hypnotic and "trippy" feel to it. Classic trance can be said to be ported from contemporary classical music's "minimalism" developed by contemporary composers such as Steve Reich, Terry Riley, La Monte Young, and Philip Glass. This subgenre has a tremendous focus on repetition, slowly changing over the course of the song. While this isn't a specifically defined subgenre, this refers to early trance that began in the late 80s. Recognize the characteristics of some of these subgenres: X Research source Trance may have some universal characteristics, but its melody can vary tremendously across subgenres. It is also good for the style of dance used in trance music, which is jumping up and down repeatedly with hands in the air. For a lot of EDM genres, 128 BPM is good, and is very good for trance music, because it is somewhat midtempo, but has an easily danceable feel. Sometimes it may drop below 120 BPM-particularly in ambient trance-but it generally does not exceed 150 BPM, as this begins to border hardcore electronic music, which is another genre in itself. Most trance lies within the range of 130-150 BPM. Similarly, many artists will begin with a series of ambient sounds and gradually work the listener into the main melody. Keep in mind that the quarter-note kick does not have to be an overpowering bass note you might choose a subdued sound. Almost all trance music has a defining quarter-note bass kick that usually remains for the majority of the song. The quarter-note kick helps to retain the emotional factor that is created by repetition. Repetition that does not flow properly will tend to "mimic a broken record", per se, making it difficult for listeners to adapt to and connect with the sound. You should be mindful of making any repetition flow naturally. This is not to be associated with a negative connotation, as repetition is one of the factors that helps to instill the emotional aspects of the genre. Prior trance would typically keep the same beat for the length of the entire song. Be aware that trance music did not start using progressive build-ups and breakdowns until about the late 90s. ![]() Much of modern trance music places emphasis on a "build-up and breakdown" measure associated with progressive trance, which is good in moderation. One of trance's main characteristics lies in the emotional factor that it places in the listener. These include, but are not limited to the factors listed below: X Research source Trance particularly has unique characteristics that make it differ from other electronic music. ![]()
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